In truth, I got into the industry intending to become an editor. How did you become an agent? What was your biggest draw towards that position?.I’ve been fortunate to have had a number of excellent conference experiences and the commonality among them was the high level of organization and the wonderful talent present. These connections are much easier to make in person and conferences provide an excellent opportunity to do just that. I see my role as an agent being all about connections–with the work, with the writer, with editors. What’s the role of writers’ conferences in the life of an agent? What’s the best conference experience you’ve ever had? AH I see on Publishers Marketplace that you’ve got quite a few events listed for 2018 (including the SLICE conference in the fall). You can find her at several conferences this year, including the SLICE Literary Writers’ Conference in September. Find out more about her in this latest interview in the Encounters in Publishing series. Annie is particularly passionate about connecting with underrepresented voices who challenge stereotypes and expand worldviews. And she’s right there with her client every step of the way, from manuscript draft to finished book, and beyond. Coming from a background in journalism, Hwang brings a deadline-oriented sensibility and a keen editorial eye to the job. She connects with all sorts of people across the publishing industry in order to get a manuscript sold. According to Annie, the primary role of an agent is one based on connections. She prioritizes growth, both in her clients and herself. An Interview With Literary Agent Annie HwangĪnnie Hwang’s story of becoming a literary agent is proof that adaptability pays off in the ever-changing field of publishing.
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